I saw Forever City mid-Comedy Festival, when the only time I could make it was during the school matinee. Every time I laughed, the four students sitting in front of me turned to stare, bemused at my reaction. The show was beautiful, complex, subtle, cynical and witty. With a cast of fifteen to nineteen-year-olds, Forever City told of the last days of our species, when planes fall out of the sky, survivors wash up on islands of rubbish, teenagers sell frozen yoghurt at malls and a dinosaur politely waits to be asked what extinction feels like.
Afterwards, I spoke to the cast about the creation of their work. I was very sick during this show so I must own that it was not the best interviewing I’ve ever done, but the artists said beautiful things. I think it is wonderful to hear passionate, intelligent young people talk about making theatre and the world around them so it was a delight to capture these words. Thank you to the cast and to their director and writer, Katrina Cornwell and Morgan Rose.
Fleur: How can I do this? I’m going to have no idea who is talking.
Mieke: Do you want us to say our names before we say something?
Fleur: Yes. Say your names before you say something and then we can hopefully drop it and I’ll just… randomly attribute stuff.
How does it feel to perform something like this?
Mieke: Not all of it is improvised but it is from improvised scenes that we’ve done in rehearsals and stuff. It’s really nice to feel like you are the characters. Well… except for Daisy and Marie. Daisy’s doesn’t copy me all the time and Marie’s not actually a dinosaur.
Mieke: Believe it or not.
Alanna: For some of us it has been a year basically since we’ve done the first workshop and it’s like “oh we really helped create this.” We were there for the beginning bit and now we’re here for the end. And even the people who weren’t there for the very, VERY beginning bit, we saw it through. That’s really nice. We created the script.
Fleur: And what do you want people to understand from it?
Mieke: I guess that, like, teenagers have thoughts too. I think a lot of people seem to assume that because we’re kids we don’t care about anything but ourselves and it’s actually that we do care about things. Yeah. If that makes sense. We are actually conscious of things and we do care.
Yash: Yeah and our obsession with the end of the world in our age.
Daisy: There are so many zombie movies. So many alien movies. As a culture, we think about this stuff all the time but we tend to think about it in very abstract ways that aren’t actually likely to happen. We tend to ignore things like Global Warming and the giant plastic island in the middle of the sea, the rubbish that we created, all that sort of stuff that could actually cause the world to heat up and… die.
Amelia: Yeah. It’s kind of like, as young people, we have to face adulthood and we have to face the global problems that have been put upon us. We are growning up and now we’re in a world where global warming is pressing and there are all these wars happening and the world is in a place of strife and we’re expected to be the next generation. We’re expected to be the future
Someone: “We’ve fucked everything up. Now fix it.”
Amelia: Yeah! We inherited these problems and we do feel a responsibility to have to change things but no one has taught us how to because no one knows how. I’ve always sort of seen it (the play) as a coming of age and who can handle coming of age into a world where we aren’t really prepared for.
Fleur: There is a sense of this epic scale to it all. Like, “yes, we’re working at McDonalds and we’re on the verge of extinction”. This isn’t going to be a question. I think I’m just making a statement that won’t lead to anything but that scale is beautiful. That you’ve got both these sort of tiny little moments and also this whole epic stuff and this sense of doom throughout. I loved the alarm going off the first time: a test for the alarm that signals the end of the world and everyone goes “oh no, it’s fine. It’s a drill. Now we can just go back to work. Have some more fro-yo.”
Where to next for you guys? If this was an introduction to making theatre from scratch, what do you want to do with those skills now that you have them?
Another someone: Do more of it.
A third someone: Work in Melbourne’s theatre scene. That would be great.
Yash: I’ll just grab any opportunity after this. Riot Stage gave us an opportunity but I don’t think others will. I think others will stick to a playwright. I don’t know but I think other plays are just “script” and “say it” and “emotion”.
Fleur: What do you want to make theatre about? What do you think is important to make theatre about?
Mieke: Something I would really like to write a play about is gender identity. Gender identity is something that (because I’m gender queer) is quite an important thing for me. It is something that I think a lot of people don’t understand. So that’s something that I’d really want to work on one day maybe when I’m a little bit older: writing a play about gender identity.
FOREVER CITY was made by Riot Stage youth theatre and performed at La Mama.